This has been the summer of the York Pinafore. It has been really hot in the Northeast and when I made my first versions of the York, I realized that it would work well with many hand-sewn tank tops in my wardrobe and be a cool, loose work uniform. I also love that it can be made with 2 yards of fabric and that so many fabrics I already owned worked well for the pattern. So a couple of weeks ago, I cut out three more versions: one practically a duplicate of my much-worn linen-cotton version seen here using scraps left over from this Gemma:
When I originally bought this linen-cotton fabric 3 years ago, I bought a large piece and had many plans for it. I used it to make this Pearl shift which I love but never used the rest of it so had quite a bit in my stash. It turns out it was just waiting all this time to become a York or two. I also cut one in a lightweight navy linen that I bought this year when I decided that I needed more linen in my life and a third in a cotton seersucker that I bought on sale this spring (and can no longer find where I bought it) which I hoped, but wasn’t sure, would work well in terms of drape. It is so lightweight, that if it did work, I knew it would be great for the 90 degree days we have been having. Turns out it worked great and I love it.
For all of my Yorks, I have lined the pockets. It occurred to me early on that it would be quicker to do that than to turn all the edges under and would simultaneously enclose and finish all of the pocket edges. I am really happy with how this has worked. Here are the pockets of my newest Yorks, all lined up with the top edge topstitched and ready to be sewn onto the front of the pinafores, along with a Ruby blouse bodice that will likely work well with all three. I like the challenge of making pocket linings and bias binding from fabric scraps from prior projects. I am not sure I am really saving a ton of money with the large amount of fabric I purchase but it at least gives me the illusion of thrift and I like the challenge of finding scraps that will work. I have used cotton lawn and voile as linings because I didn’t want to add a lot of bulk to the pockets and change the drape of the garment.
Here are the pocket pieces from my seersucker York ready to be sewn. I cut out the pocket piece from the main fabric and then use that as my template to cut the lining. I generally make the lining a bit larger and then trim once everything is sewn together.
Here are the pocket pieces sewn together and then turned right sides out prior to topstitching.
When I sew the pockets, I cut two of each of the pocket pattern pieces-one from the regular fabric and one of the lining fabric- and sew them together except for the seam that will eventually be sewed into the side seam, I then turn the pockets inside out and press and then sew to the front piece of the pinafore. Then I sew the side seams with wrong sides together and then again with right sides creating a French seam. Lots of trimming of fringe and stray threads happens in between sewing the two seams. I wasn’t sure how French seams would work with the pockets but I am here to say, 6 Yorks later, that it has worked great. Here is a close-up of the edge of the pocket turned up so you can see the lining. I used a floral cotton lawn by Liberty of London left over from this blouse.
And here are some pictures of the finished garment.
Inside view so you can see the trim:
And as worn.
I love that little partially hidden pop of floral liberty fabric. I am wearing my Seersucker York with my white double gauze Gemma Tank. I will be making another or these (or two) this winter as it is my go-to top. Goes with everything.
I used leftover solid cotton lawn when I sewed a York in a cotton-linen canvas print: navy for pocket linings and bias binding and yellow for the hem facing.
The canvas was so crisp it was a pleasure to sew with.
And here are the finished views:
Inside so you can see the bias binding and hem facing:
And finished back view:
And as worn:
Most of my cotton lawn scraps come from the many Gemma Tanks that I made over the last few years, many of which work with my Yorks, creating endless mix and match outfits. Is it any wonder I keep making York after York? I have some pink linen fabric that I bought earlier this year planning to make a top but now I can’t get a pink York out of my head. Stay tuned!